
Before we had Apple Macs, Photoshop and a myriad of other programmes, design centered on tradition and craftsmanship, on the physical and the tactile. Yet now, we see the worlds of digital design and physical craftsmanship joining to create new expressions and celebrations of the power of making.
3 May 2012

Pearlfisher has created the brand name, tone of voice, brand identity and packaging for Bodega, the brand new Antipasti brand from Cranswick.
25 April 2012

Heritage, legacy and national identity form the backbone of many of our favourite brands: Burberry, Liberty, and Cadbury have become cherished and emulated icons that are rooted in a clear British character
2 April 2012

Pearlfisher has designed Kallo’s new corn and rice snacks, in caramel, sweet chilli, salt & vinegar and sundried tomato & herbs flavours. The designs follow Pearlfisher’s new brand identity and...
30 March 2012

Hamish joins Pearlfisher New York from international design agency Lewis Moberly. With experience gained from working alongside industry greats including Michael Peters and Mary Lewis, Hamish brings a diverse wealth of design experience,...
27 March 2012

As human beings we are often resistant to change and very quick to make rash and hasty expressions of taste, criticising and discounting a design because its newness makes us feel uncomfortable or challenged. But isn’t this one of design’s fundamental purposes? To question, to provoke, to push us for a response?
13 March 2012

Pearlfisher has created a brand identity for Harrison’s Fund, the charity founded to raise money to fight Duchenne Muscular Dystrophy. Harrison’s Fund is named after five year old, Harrison Smith who...
1 March 2012

The DBA, the UK organisation that measures and rates the effectiveness of design in a range of categories by using commercial data to evaluate the success, announced the winners of its annual Design Effectiveness Awards.
20 February 2012

We no longer look for a brand that simply informs or that seeks to be our friend; we want a brand that enriches our thinking, works with us to understand our lives and allows us to believe in better. A thinking brand that means something.
10 February 2012

Pearlfisher has created the new packaging design and brand identity for Waitrose LOVE life ‘you count…’ a range of great tasting meals and snacks designed to support a calorie controlled...
1 February 2012
“For an average consumer the value of branding is down to making the right choice”

Sara Jones, Creative Director at brand development and packaging design agency Anthem Worldwide, shares her round up of the top five print innovations, which have the potential to create real standout, as long as they’re used to enhance –- rather than ‘be’ -- the brand idea.
If you had to choose the ultimate business super power, what would it be? Big budgets, global reach, an innovation pipeline full to bursting, a PR machine capable of generating positive press 24/7? Without hesitation, I answered “agility.”
Cheryl Swanson, Head of Toniq, once again explores the consumer trends for different age groups in the USA.
Before we had Apple Macs, Photoshop and a myriad of other programmes, design centered on tradition and craftsmanship, on the physical and the tactile. Yet now, we see the worlds of digital design and physical craftsmanship joining to create new expressions and celebrations of the power of making.
There’s a natural relationship between the style of our daily surroundings and how we feel. A great space can make us feel better, more hopeful and even more productive. And we often use our own space to express a vision of ourselves.

