Intel announced the re-launch of its ‘Remastered: A Visibly Smart Production from Intel’ exhibition at the London Design Festival. During the popular event from September 22—25  in Shoreditch, Intel will reinterpret the classic work of Matisse’s ‘Dancers’ in a striking interactive way.

The project first kicked off with a three day long exhibition at London’s One Marylebone in March, where digital interpretations of works by Turner, Dali, Da Vinci and other art genies were showcased.

Intel goes back to its long-time project with jotta, its partner and art and creative community. It will appear at the Tent London showcase offering another opportunity for the public to see masterpieces of the past with modern eyes, using digital technology.

This time, Central St Martins’ conceptual artist Maxence Parache will become the Remastered artist. He will combine 2nd Generation Intel CoreTM processor technology with an interactive particle cloud projection to create something really spectacular.

He commented on the piece: “Sourcing inspiration from Matisse’s hypnotic painting, Dance II, my aim is to invite the viewer to enter an immersive and dreamlike experience where one can interact with the circle of dancers. I have taken influence from Fauvism and have explored this through physical computing, capturing the wild and intense primeval atmosphere of Dance II”.

“Working with some of the best in emerging artistic talent in the UK has been a truly inspirational journey for Intel,” said Gail Hanlon, marketing director, Intel UK and Ireland. “The Remastered project has allowed Intel to unlock the creative potential of technology and show that a mouse can be as effective as a paintbrush in design. We hope our technology can be a muse for the next generation of artists and help shape art in the digital age”.

The presentation of the Matisse’s piece will be followed with a dynamic exhibition at London Design Festival featuring the following works:

Salvador Dali’s “The Persistence of Memory” (1931): Daniel Swan (moving image)

Edvard Munch’s “The Scream” (c. 1893): Lung (sculpture, sound and animation)

J. M. W. Turner’s “Rain, Steam and Speed—The Great Western Railway” (1844): Eric Shockmel (3D animation)

Henri Matisse’s “Dance” (1909-1910): Maxence Parache (particle cloud projection and interactive performance)

“Venus de Milo” (130-100BC): Paul Bryan and Jonathan Ryall (moving image)

Caspar David Friedrich’s ‘Wanderer above the Sea of Fog” (1818): Rafael Pavon (stereoscopic 3D animation)

Edgar Degas’ “Dancer with a Bouquet of Flowers” (“Star of the Ballet”) (1878): Sara Hibbert (moving image and photography)

Vincent Van Gogh’s “The Starry Night” (1889): Midnight Toastie (interactive installation)

Leonardo da Vinci’s “The Last Supper” (1499): Bompas & Parr (food design and photography)

“Remastered: A Visibly Smart Production from Intel” will also present public workshops:

Exclusive media preview and workshop to explore creativity in technology with conductive ink. Using basic electronics and readily available materials, the workshop will give a hands-on introduction to interactive art (7 p.m., September 21)

Children’s workshop to promote art and design to the younger audience with simple tools and basic technology. From visual effects to 3D, all techniques and tools used will show the accessibility of design with technology. (2 p.m.— 4 p.m., September 22)